Cinéma - Movies

Lavazza Film Festival 2022

The Lavazza Inclucity Film Festival is part of the ICFF (Italian Contemporary Film Festival).  The venue is Toronto's Distillery District, where one will watch the films under the stars while seated on large, comfy sofas.

Capsule Reviews of Selected Films:

ACROSS THE RIVER AND INTO THE TREES (UK 2021) 
Directed by Paula Ortoz

 

(embargoed)

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Film Review: Madeleine Collins

MADELEINE COLLINS (France/Belgium/ Switzerland 2020) ***1/2
Directed by Antoine Barraud

 

The film’s trailer makes the film look like a thriller but the film is more a drama with some suspense.  So, it is easy to be fooled just as the film’s main female protagonist’s men are fooled by her.  The woman goes by two different names, and leads two separate lives juggling both rather well till trouble rears its head in paradise.

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ICFF (Italian Contemporary Film Festival 2022)

ICFF Film Festival: Capsule Reviews of Selected films: 

ENNIO (The Glance of Music) (Italy et al, 2021) ****
Directed by Giuseppe Tornatore

 

In ENNIO, Giuseppe Tornatore directs a nostalgic documentary of his film music composer for his first and most famous film, CINEMA PARADISO.  Tornatore is the perfect director as his doc has the same feel, tone and atmosphere as his classic film.   Both films pay tribute to the cinema.  ENNIO also pays tribute to Ennio Morricone, one of the most, if not the most, influential film composers of all time.  Everyone recognizes his composition of his iconic tune for Sergio Leone’s classic spaghetti western, THE GOOD, THE BAD AND THE UGLY.

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Film Review: Lux Aeterna

LUX AETERNA (France 2019) **

Directed by Gasper Noe

 

LUX AETERNA arrives in Toronto after VORTEX though it was made and released in France and premiered at Cannes before VORTEX.  For commercial audiences, beware as this is an experimental film, which means that there is no head or tail and this is true for the film.  It is a 2019 French independent experimental art film written and directed by Gaspar Noé, screened out of competition at the 2019 Cannes Film Festival. The film makes heavy use of epileptic imagery, split-screen, and 1920s-esque documentary footage involving witchcraft.  Though running at only an hour and 5 minutes, it is a hard watch.

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