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Film Review: Un Beau Matin

UN BEAU MATIN (ONE FINE MORNING)(France 2022) ***1/2

Directed by Mia Hansen-Love

 

Director Mia Hansen-Love (LE PERE DE MES ENFANTS) tackles once again her favourite genre of nuanced romantic relationships, this time between Sandra (Léa Seydoux) and best friend, but a married one, Clément (Melvil Poupaud), before they turn into best friends with benefits.  There are of course complications and baggage. Sandra works as a freelance translator, being an attentive single mother to her eight-year-old daughter (Camille Leban Martins), and caring for her father (Pascal Greggory), a retired philosophy professor slowly losing his sight, memory, and independence due to a neurodegenerative disorder.  It is her father that brings Sandra to tears so often.  Clement, however, is married with a son.  Director Hansen-Love is an expert in creating and developing emotional and realistic characters making UN BEAU MATIN immensely watchable and compelling.  The film premiered at the Toronto International Film Festival in 2022 and opens this week. A solid alternative for a Valentine’s Day Movie - French style.  The film won the Europa Cinemas Label (best European film in Directors’ Fortnight) at Cannes 2022

 

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Film Review: Saint Omer

SAINT OMER (France 2022) ****
Directed by Alice Diop

Fresh from winning a top prize and the Venice Film Festival, this is one extraordinary narrative debut by acclaimed documentarian Alice Diop.  Her doc roots are evident in the film as there are lots of actors speaking to the camera just as interviewees do, especially in the long takes of the court sessions.  The incidents are never shown on screen but unfolds in the words of the actors, and more effectively so.  A young novelist, Rama (Kayije Kagame), is working on a contemporary retelling of the ancient Medea myth.  In Greek mythology, Madea is a mother who murdered her children.   Pregnant herself and increasingly uneasy, Rama’s own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused woman, Laurence Coly (Guslagie Malanda), is gradually revealed. From a stern upbringing in Senegal to gradual isolation from family and society on her arrival in Europe, Coly’s experiences expose the traumas of racism and emotional manipulation that can remain unspoken while insidiously and irrevocably corroding a person’s well-being.  

Never has a film with so much dialogue been so exciting and compelling.  The courtroom drama played out by director Diop looks so much like a true crime drama.  SAINT OMER where the baby was drowned is west-northwest of Lille on the railway to Calais, and is located in the Artois province. The town is named after Saint Audomar, who brought Christianity to the area.

SAINT OMER has been awarded the Best International Feature by the Toronto Film Critics Association.

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Film Review: ASTÉRIX ET OBÉLIX: L’Empire du Mileu

ASTÉRIX ET OBÉLIX: L’EMPIRE DU MILEU

(ASTÉRIX AND OBÉLIX: THE MIDDLE KINGDOM)
(France 2022) ***1/2

Directed by Guillaume Canet 

 

The French get it right with their latest live action comedy of the Belgium-French favourite cartoon comic books of Asterix and Obelix written by René Goscinny and illustrated by Albert Uderzo.  This is the only film (there has been more than 15 such films, all animated except two other live-action) not based on the stories of the comic book or comic books and originally written for the film.

Read more: Film Review: ASTÉRIX ET OBÉLIX: L’Empire du Mileu

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Film Review: Confessions

CONFESSIONS (English title: Confessions of a Hitman)(Canada 2022) ***1/2

Directed by Luc Picard

 

Starring and directed by Luc Picard, CONFESSION, based on the novel, is the no-nonsense story of Quebec's most notorious hit man Gérald Gallant.  It plays like a biopic but the titles at the film's start are quick to emphasize that this is a fiction film based on true characters.   

Read more: Film Review: Confessions

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